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地狱(英文原著)--丹·布朗

时间:2013-11-30 14:15:52  来源:  作者:丹·布朗  [ 下载本书 ]
简介:《炼狱》的主人公是回归的哈佛大学符号学教授罗伯特·兰登,小说以意大利为故事背景,以但丁的史诗《神曲2:炼狱篇》为中心,展开的一系列惊心动魄的历险故事。丹·布朗在小说中巧妙地融合了历史、艺术、密码和符号等元素,创造了一部崭新的惊悚悬疑小说。在谈到新书的创作过程时,丹·布朗称自己研读了6个月的相关资料,包括几个版本的《神曲》译本,不同的但丁研究者的注释,关于但丁的生平、哲学的历史文本以及关于佛罗伦萨的背景阅读,之后还前往佛罗伦萨和威尼斯,拜见了一些艺术史学家、图书馆学家和学者。...
  “It doesn’t appear to be Langdon’s computer,” the tech said. “It’s registered to someone initialed S.C.—I should have a full name shortly.”
  As Brüder waited, his eyes were drawn to a stack of papers on the desk. He picked them up, thumbing through the unusual array—an old playbill from the London Globe Theatre and a series of newspaper articles. The more Brüder read, the wider his eyes became.
  Taking the documents, Brüder slipped back into the hall and placed a call to his boss. “It’s Brüder,” he said. “I think I’ve got an ID on the person helping Langdon.”
  “Who is it?” his boss replied.
  Brüder exhaled slowly. “You’re not going to believe this.”
  Two miles away, Vayentha hunkered low on her BMW as it fled the area. Police cars raced past her in the opposite direction, sirens blaring.
  I’ve been disavowed, she thought.
  Normally, the soft vibration of the motorcycle’s four-stroke engine helped calm her nerves. Not today.
  Vayentha had worked for the Consortium for twelve years, climbing the ranks from ground support, to strategy coordination, all the way to a high-ranked field agent. My career is all I have. Field agents endured a life of secrecy, travel, and long missions, all of which precluded any real outside life or relationships.
  I’ve been on this same mission for a year, she thought, still unable to believe the provost had pulled the trigger and disavowed her so abruptly.
  For twelve months Vayentha had been overseeing support services for the same client of the Consortium—an eccentric, green-eyed genius who wanted only to “disappear” for a while so he could work unmolested by his rivals and enemies. He traveled very rarely, and always invisibly, but mostly he worked. The nature of this man’s work was not known to Vayentha, whose contract had simply been to keep the client hidden from the powerful people trying to find him.
  Vayentha had performed the service with consummate professionalism, and everything had gone perfectly.
  Perfectly, that was … until last night.
  Vayentha’s emotional state and career had been in a downward spiral ever since.
  I’m on the outside now.
  The disavowal protocol, if invoked, required that the agent instantly abandon her current mission and exit “the arena” at once. If the agent were captured, the Consortium would disavow all knowledge of the agent. Agents knew better than to press their luck with the organization, having witnessed firsthand its disturbing ability to manipulate reality into whatever suited its needs.
  Vayentha knew of only two agents who had been disavowed. Strangely, she had never seen either of them again. She had always assumed they had been called in for their formal review and fired, required never to make contact again with Consortium employees.
  Now, however, Vayentha was not so sure.
  You’re overreacting, she tried to tell herself. The Consortium’s methods are far more elegant than cold-blooded murder.
  Even so, she felt a fresh chill sweep through her body.
  It had been instinct that urged her to flee the hotel rooftop unseen the moment she saw Brüder’s team arrive, and she wondered if that instinct had saved her.
  Nobody knows where I am now.
  As Vayentha sped northward on the sleek straightaway of the Viale del Poggio Imperiale, she realized what a difference a few hours had made for her. Last night she had been worried about protecting her job. Now she was worried about protecting her life.
  CHAPTER 20
  FLORENCE WAS ONCE a walled city, its primary entrance the stone gateway of the Porta Romana, built in 1326. While most of the city’s perimeter walls were destroyed centuries ago, the Porta Romana still exists, and to this day, traffic enters the city by funneling through deep arched tunnels in the colossal fortification.
  The gateway itself is a fifty-foot-tall barrier of ancient brick and stone whose primary passageway still retains its massive bolted wooden doors, which are propped open at all times to let traffic pass through. Six major roads converge in front of these doors, filtering into a rotary whose grassy median is dominated by a large Pistoletto statue depicting a woman departing the city gates carrying an enormous bundle on her head.
  Although nowadays it is more of a snarled traffic nightmare, Florence’s austere city gate was once the site of the Fiera dei Contratti—the Contracts Fair—at which fathers sold their daughters into a contracted marriage, often forcing them to dance provocatively in an effort to secure higher dowries.
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